![]() In addition to firearms, you'll also get a chance to take out some aggression on infected with a variety of carnage-creating melee weapons, from chainsaws to axes and even the deadly frying pan. You'll play as one of four new survivors armed with a wide and devastating array of classic and upgraded weapons. This co-operative action horror FPS takes you and your friends through the cities, swamps and cemeteries of the Deep South, from Savannah to New Orleans across five expansive campaigns. Set in the zombie apocalypse, Left 4 Dead 2 (L4D2) is the highly anticipated sequel to the award-winning Left 4 Dead, the #1 co-op game of 2008. This updated Director can adjust the climate you'll fight in and the paths you'll take dynamically, as well as customize the adversary density, visuals, and noises to fit your effectiveness.Set in the zombie apocalypse, Left 4 Dead 2 (L4D2) is the highly anticipated sequel to the award-winning Left 4 Dead, the #1 co-op game of 2008. Aside from firearms, you'll be able to unleash your rage on the afflicted with a range of carnage-inducing melee combos, including crowbars, swords, and even the lethal frying pan. You'll take control of one of 4 new individuals, each equipped with a diverse arsenal of traditional and improved weapons. Users of smartphones now have the chance to interact with classics.įrom Savannah to Orleans, this founder action horror FPS takes you and your pals through the towns, marshes, and graves of the Rural South across 5 enormous missions. ![]() ![]() So, and per the storyline, the game takes place during the zombie outbreak, but you, together with other real-life players, must protect your haven by battling off swarms of zombies while wielding an astonishing armory of firearms.Īnother benefit of the game is the core gameplay, which is a collaborative first-person shooter with survivor features. It is a version of the well-known scary game that debuted on the Desktop and garnered remarkable appeal among users and very well critical acclaim thanks to a variety of gaming options. ![]()
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![]() ![]() You would have likely seen many these tools used in popular music videos, TV shows and movies. Continuum Complete & Sapphireīoris FX Sapphire and Continuum Complete are two huge collections of plugins, filters and effects for film makers, motion graphics and visual effects artists. This makes it very easy to replace logos on deforming objects, create advanced visual effects or rotoscoping moving shapes. PowerMesh allows you to track distorting and warping surfaces like people’s faces and skin, T-shirts and cloth. Mocha Pro also now offers a really cool feature called PowerMesh. You can use it to create 3D camera solves, fixing lens distortion and camera stabilization and it supports 360/VR footage natively. Mocha Pro is a great tool for screen inserts, match moving and rotoscoping, easily removing objects and wires – even from moving shots. It works directly within host applications such as Adobe After Effects and Premiere Pro, Nuke, Fusion, SonyVegas, HitFilm, Media Composer and many other programs. Mocha Pro is an academy award winning planar tracker. Add +5% OFF with code BF2021-SurfacedStudioīoris FX creates some of the most popular, industry-leading plugins and effects for video editors, motion graphics and photography professionals. ![]() 25% OFF everything else, including subscriptions, upgrades and individual products.50% OFF all new permanent license bundles.The sale runs from the 22nd of November until the 3rd of December.Boris FX are running their annual Black Friday Sale where you can get up to 55% OFF their entire range. ![]() ![]() ![]() This can make x265 stills look better/more detailed than AV1, but playback will look much cleaner/less annoying with AV1. libaom-av1's weakness at this time is that it tends to blur low-contrast details sooner than x265, budgeting bits instead towards better motion (via smaller partitions, better sub-pel) and less ringing artefacts. When comparing low-bitrate AV1 to x265, my observation is that x265 tends to suffer more than AV1 when it comes to preservation of details and artefacts around the edges of high and low motion areas. I've done 10 minute presentations that worked out to <3MB. If you're doing screencasts, I have found that -crf 40 is acceptable for 1080p a lot of the time for low-motion, and this is up to 4x faster than x265 for the same quality and the same final file size. ![]() If you're only playing off local storage and/or creating these copies for archival purposes then this is the way to go. This gives less predictable file sizes and may cause streaming issues. ![]() If you want even better speed, do single pass with -crf only. Old Android media players may struggle without the use of tiles though, as they had about 1/3 the single-thread performance of the Apple products of their day. In my experience even 6-year-old iPads can play 1080p AV1/Opus files fine with VLC and stream the result seamlessly to AppleTV. That maximises cache locality and avoids the minor bitrate increase caused by the use of tiles. If you have a lot of files to encode, drop the -tiles option, set row-mt to 0, and run one copy of ffmpeg per core. $ ffmpeg -hide_banner -y -i "$INPUT" -c:v libaom-av1 -crf 22 -b:v 1600K -metadata title="$TITLE" -metadata:s:v:0 title="$ABOUT" -metadata:s:a:0 title="$ABOUT" -strict experimental -row-mt 1 -tiles 2x2 -cpu-used 4 -pix_fmt yuv420p -c:a libopus -ac 2 -b:a 160K -passlogfile "$INPUT" -pass 2 "$OUTPUT"However this isn't the best speed/quality you can get if you're encoding an entire library of files. $ ffmpeg -hide_banner -y -i "$INPUT" -c:v libaom-av1 -crf 22 -b:v 1600K -strict experimental -row-mt 1 -tiles 2x2 -cpu-used 8 -pix_fmt yuv420p -na -passlogfile "$INPUT" -pass 1 "$OUTPUT" Code: $ INPUT="input.ext" OUTPUT="output.ext" TITLE="Title text" ABOUT="about text" ![]() |
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